Bua (Penpak Sirikul) is a successful business woman, who lives the perfect life. When diagnosed with incurable cancer she turns her back on her husband and daughter in order to ease their pain and hide her destiny. In her self-imposed isolation, the only person that Bua lets into her life is June, an undemanding and encouraging freelance photographer (Ann Baker). At the end of her life journey, Bua is granted one last chance to discover the profound meaning of passionate love. Da (Apassaporn Sangthong), a hardheaded columnist, has her reputation ruined when her "perfect" boyfriend emails raunchy video clips of her to all her work contacts. In order to escape the embarrassment she immerses herself in work and accepts to write a "trendy" feature about the love life of lesbians in Bangkok. She convinces Be (Kitchya Kaesuwan), a charming tomboy, to be her research subject. During the course of the assignment their relationship turns sexual and Da starts to asks herself if her feelings towards Be could be real love.She: Their Love Story (2012)
Bua (Penpak Sirikul) is a successful business woman, who lives the perfect life. When diagnosed with incurable cancer she turns her back on her husband and daughter in order to ease their pain and hide her destiny. In her self-imposed isolation, the only person that Bua lets into her life is June, an undemanding and encouraging freelance photographer (Ann Baker). At the end of her life journey, Bua is granted one last chance to discover the profound meaning of passionate love. Da (Apassaporn Sangthong), a hardheaded columnist, has her reputation ruined when her "perfect" boyfriend emails raunchy video clips of her to all her work contacts. In order to escape the embarrassment she immerses herself in work and accepts to write a "trendy" feature about the love life of lesbians in Bangkok. She convinces Be (Kitchya Kaesuwan), a charming tomboy, to be her research subject. During the course of the assignment their relationship turns sexual and Da starts to asks herself if her feelings towards Be could be real love.Gia 1998
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Gia Carangi (Angelina Jolie) is a Philadelphia native who moves to New York City to become a fashion model and immediately catches the attention of powerful agent Wilhelmina Cooper (Faye Dunaway). Gia's attitude and beauty help her rise quickly to the forefront of the modeling industry, but her persistent loneliness after the death of Wilhelmina drives her to experiment with mood-altering drugs like cocaine. She becomes entangled in a passionate affair with Linda (Elizabeth Mitchell), a make-up artist. Their love affair first starts when both pose nude and make love to each other after a photo shoot. However, after a while Linda begins to worry about Gia's drug use and gives her an ultimatum; Gia chooses the drugs. Failed attempts at reconciliation with Linda and with her mother, Kathleen (Mercedes Ruehl), drive Gia to begin abusing heroin. Although she is eventually able to break her drug habit after much effort, she has already contracted HIV from a needle containing infected blood.Lost and Delirious [2001]
When shy and introspective Mary arrives as a new freshman student at an all-girls boarding school, she shares a dorm room with two seniors, Paulie and Victoria (nicknamed Tori). In contrast to the timid Mary, Paulie is full of life. For example, at Mary's very first day at the school during a quiet afternoon party on the campus thrown by the staff as a welcome back gathering, Paulie turns the events into a loud music-blasting dance party and spikes the punch with hard liquor. In an effort to break Mary out of her shell, Paulie and Tori involve her in their activities, such as running in the morning. When Mary's roommates learn that her mother recently died, Paulie nicknames her "Mary Brave".
Mary observes the intimacy between her two roommates. Peering out a window at night, she sees them kissing on a roof. At first, she thinks that they are practicing kissing in order to prepare themselves for kissing men, but she soon realises the nature of their romance. This also manifests itself in Paulie coming to Tori's rescue. For example, Paulie defends Victoria from a frustrated math teacher who unintentionally humiliates her when she does not understand a mathematical equation.Over time, Paulie and Tori become more comfortable showing affection in front of Mary. It progresses from a quick kiss on the lips in front of her to the two sharing a bed and having sex while they think Mary is sleeping. At first, Mary is shy about sharing a room with the two lovers and feels like an intruder. After a few days, she finds their kissing and murmuring comforting and familiar.
When the three are jogging one day, Paulie comes across a hurt falcon, which she befriends. After reading up on falcons, she trains the animal and becomes obsessed with caring for it as she believes that something untoward has happened to its parents. While Paulie tends to the orphaned falcon, Mary and Tori meet some boys from the nearby boys' school. One of the boys, Jake, flirts with Tori, asking if she will be attending her brother's 18th birthday party and making it clear that he is interested in her. When Mary and Tori are alone, Tori expresses disgust at the boy's interest in her, saying, "He liked my tits." When Mary asks if she'll go to the party, Tori says, "And have all those gross guys groping me? No, thanks. I'd rather stay home and do math."
One morning, Victoria's sister, Allison (Emily VanCamp), and her friends rush into the room to wake up the older girls. Paulie is lying in Tori's bed, both naked. Mary pushes Tori's sister out of the room and closes the door. After the younger girls leave, Tori, her head in her hands, decides at that moment to end whatever intimate relationship she had with Paulie, who claims that she loves her. Tori refuses outright, fearing that Alison will tell their parents. Tori then angrily tells Paulie to get out of her bed. When confronted by Allison, Tori tries to extinguish her sister's suspicions by telling her Paulie has an unrequited crush on her and crawled into her bed. Her sister promises to "fix" the rumors about Tori and not tell their parents anything. As she walks away from this conversation, Victoria collapses into tears.
In the library, Victoria explains to Mary that her family is strongly opposed to homosexuality, and she must stop the relationship to prevent their rejection. Mary sympathizes with both of her friends, as she too feels rejected by her father, who does not bother to show up to a father/daughter dance. In the forest at night, Tori and Jake have sex against a tree. Both Mary and Paulie accidentally witness this scene and run back to their room before Tori returns.
When Tori returns to the room, Paulie asks her where she's been and Tori says she was with a friend. Paulie lashes out at her by telling her that she saw what Tori and Jake were doing in the woods. Tori tells Paulie that the intimacy that they had shared will never happen again but she (Tori) would always love her.
Paulie cannot handle Tori's withdrawal from the relationship. She smashes a mirror and hurls a dish cart to the ground and begins to act out in other ways. A rejection letter from the agency that handled Paulie's adoption, which says that her birth mother denied a request from Paulie to get in touch, further sends her over the edge. Upset, Paulie leaves the building and runs into Mrs. Vaun, with whom she discusses her love for Tory, and Mrs. Vaun tells her she understands. Paulie then goes on to say "Without her, I would just die." Meanwhile, Victoria creates an image of heterosexuality to her friends and her sister, dating Jake Hollander (Luke Kirby) from a nearby all-boys school and avoiding Paulie.
At the climax, Paulie declares a duel to the death with Jake with fencing swords. Jake is not taking her seriously until he ends up on the ground, with Paulie brandishing a sword above him. She demands that he give up Tori. When he refuses, she stabs him in the leg. Mary rushes to stop her and Paulie runs off. Mary runs to Victoria's soccer match, where the headmistress, math teacher and fellow students are congregated. Upon reaching the group, Mary sees Paulie, sobbing from the top of a building while holding her falcon. Whispering "I rush into the secret house," a Shakespearean reference to suicide, Paulie jumps to her death and the movie ends with the falcon flying in the background.
A Perfect Ending
The movie immediately introduces the two main protagonists. Paris (Jessica Clark) is a young, dark-haired woman who works as a high-priced escort/call-girl but is a creative artist by nature. Rebecca (Barbara Niven), a blond, straight up, middle-aged Stepford wife. The initial voice-over also narrates a cancer affliction that has grown beyond hope.
Rebecca has lived a Stepford wife existence in creating a perfect family with her husband Mason Westridge (John Heard). The only signs of troubles are their hostility towards each other and a differing in opinion that Jessica, Rebecca's only daughter who has a different father, does not get stock shares of the family business. It is implied that Mason had previously attempted to sexually assault Jessica.
Rebecca feels an emptiness and confides in her two lesbian 'besties' that she has never hit the peak during the act of sex and that she and Mason only do it once every six months, which suits her well. Her friend suggests that she tries a very discreet escort service run by her own cousin (Morgan Fairchild).It is then that Rebecca meets Paris and through a series of very discreet meets, Rebecca eventually warms up to Paris's reach and achieves her goals of having sex with another woman and achieving true happiness and satisfaction.
Meanwhile, Paris who is well appreciated for her services, seems to be in agony over a past mistake that had led her to this profession. It's implied that Paris' husband died after being hit by a car shortly after their wedding day. It is Rebecca who later helps Paris to let go of the past and heal.
At the height of all these, the three Westridge children finds the medical document that certifies the melanoma cancer in an inoperable stage that Mason Westridge has been hiding in his office desk. They confront Rebecca and ask if she had known about it all along. Rebecca holds the fort and tells her children that this changes everything. Afterwards, Rebecca makes the courageous step to say goodbye to Paris.
Towards the end of the movie, Rebecca is seen as a butterfly, someone who has learned to spread her wings and Paris has her own art exhibition. In the final scene, after Rebecca's funeral, Jessica introduces herself to Paris at the art exhibition and says: "I want to know more about my mother."
Until We Meet Again
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The Science of Love
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Sydney is an ambitious young evolutionary anthropologist trying to find evidence for true love by monitoring brain activity. Her boss, Ileana, is a cultural anthropologist and refuses to accept Syd's line of experimentation. At a party to attract funding for Sydney's research, it's a shock for her to discover she isn't only NOT in love with her fiancé (a computer tech) but she IS completely in love with Ileana, her boss.
Details:
Sally Wheeler as Sydney
Alexandra Neil as Ileana
Written and Directed by Joyce Draganosky
Show Me Love 1998 (Fucking Amal)
Two teenage girls in small-town Sweden. Elin is beautiful, popular, and bored with life. Agnes is friendless, sad, and secretly in love with Elin.
Two girls, Agnes and Elin, attend school in the small town of Åmål in Sweden. Elin is outgoing and popular, but finds her life unsatisfying and dull. Agnes, by contrast, has no real friends and is constantly depressed. Agnes is in love with Elin, but cannot find any way to express it.
Agnes' parents worry about their daughter's reclusive life, and try to be reassuring. Her mother decides, against Agnes' will, to throw a 16th birthday party for her, and Agnes is afraid no one will come. Viktoria, a girl in a wheelchair, shows up and Agnes shouts at her in front of her parents, telling her they are friends only because no one else will talk to them. Agnes, overcome with anger and depression, goes to her room and cries into her pillow shouting that she wishes she was dead, while her father tries to soothe her. Viktoria leaves and Agnes' family eats the food made for the party. Elin arrives at Agnes' house, mainly as an excuse to avoid going to a different party, where there will be a boy (Johan, played by Mathias Rust) she wants to avoid. Elin's older sister, Jessica, who comes with her, dares her to kiss Agnes, who is rumoured to be a lesbian. Elin fulfills the dare, and then runs out with Jessica, only to soon feel guilty for having humiliated Agnes.
After becoming drunk at the other party, Elin gets sick and throws up, while Johan tries to help her and ends up professing his love to her. Elin leaves Johan and the party, only to return to Agnes' house to apologize for how she acted earlier. And in doing so, Elin stops Agnes from attempting to commit suicide. She even manages to persuade Agnes to return with her to the other party. On the way, Elin shares her real feelings about being trapped in Åmål, and asks Agnes about being a lesbian, and believes that both of their problems could be solved by leaving Åmål and going to Stockholm. On impulse, Elin persuades Agnes to hitchhike to Stockholm, a five-hour car journey away. They find a driver who agrees to take them, believing them to be sisters who are visiting their grandmother. It is while sitting in the back seat together that they first kiss for real. The driver sees them and, shocked at the behaviour of the two 'sisters', orders them to leave the car.
Elin discovers that she is attracted to Agnes, but is afraid to admit it. She proceeds to ignore Agnes and refuses to talk to her. Elin's sister Jessica sees that she is in love and pushes her to figure out who it is. To cover the fact that she is in love with Agnes, Elin lies, pretending to be in love with Johan, and loses her virginity during a short-lived relationship with him. Elin eventually admits her feelings at the end of the film, where, after a climactic scene in a school bathroom, they are forced to 'out' their relationship to the entire school. The film ends with Elin and Agnes sitting in Elin's bedroom drinking chocolate milk and Elin explaining that she often adds too much chocolate until her milk is nearly black so then she must fill another glass with milk and mix it, and that her sister Jessica often gets mad that she finishes the chocolate. Elin has the last word saying "It makes a lot of chocolate milk. But that doesn't matter."
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